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‘Shaitaan’ movie review: R Madhavan makes the mean monster shine opposite Ajay Devgn in this horror show.<br/>Backed by a poignant premise and powerful performances, director Vikas Bahl generates some genuine moments in eerie situations but surprisingly shows a straight bat in the slog overs.<br/>The film is a remake of the Gujarati horror film Vash (2023). Janki Bodiwala reprises her role from the original here. Kabir (Ajay Devgn) and Jyoti (Jyotika), along with their teenage daughter Jahnvi (Janki Bodiwala), and son Dhruv (Anngad Raaj) drive away to their remote farmhouse to spend some quality time. Their tranquillity shatters when a stranger. Vanraj Kashyap (R Madhavan), enters their world. He somehow takes complete control of Jyoti’s will and makes her a slave of sorts. She harms herself, almost kills her brother, slaps her father and fights with her mother. All this is brought out in visceral detail. The viewer is spared nothing. Kabir and Jyoti try vainly to get Janhvi to listen to them but to no avail. Things keep escalating. Vanraj wants to take away Janhvi but he would only do so with their explicit permission. We learn that he’s an evil tantrik who wants to take over the world. And must sacrifice a bevy of girls to do so. He succeeds in luring Janhvi away and now it’s up to Kabir to save her and other girls from being killed.<br/><br/>The film starts with a disclaimer that the film isn’t propagating superstition and then proceeds to do so for the next two hours. Vanraj equates himself to God, claims he can control anyone if he deems fit and indulges in the sort of mumbo jumbo even street magicians will steer clear off. The climax scene, which showcases mass hypnotism, features young girls all eager to throw themselves in a pyre. There’s no backstory as to why he’s become this instrument of evil. He’s made to spout some nonsense about controlling the life of everyone in the world and we’re supposed to believe that.<br/><br/>Ajay Devgn played a laid-back man who uses his wits to save his family in the Drishyam franchise and kind of steps back into the Drishyam mould again in this film. He’s perfectly cast as the super caring dad who keeps a close watch on his children but gives them ample freedom at the same time. He brings out the helplessness and dedication of a loving father who would do it all to save his world from falling apart perfectly well and looks good in action scenes as well. Jyothika, seen in a Hindi film after aeons, is cast as a caring mother who fights like a wounded lioness when it comes to saving her daughter. Her reactions look totally genuine. She uses her body language and expressive eyes to convey a range of emotions. She shares a good rapport with Ajay Devgn. It’s good to see middle-aged stars being cast together and acting their age. It’s a step in the right direction indeed. Madhavan and Jyothikha have acted in romantic comedies like Dumm Dumm Dumm (2001) and Priyamaana Thozhi (2003) earlier and have a reunion of sorts in Shaitaan. But
⏲ 2:8:9 👁 89.1M
Tiptop Music
⏲ 6 minutes 28 seconds 👁 475.3K
Worldwide Records Gujarati
⏲ 6 minutes 8 seconds 👁 11.3K
Madgaon Express: A Supremely Funny Trip to the Movies.<br/><br/>You know how some movies leave you with a throbbing headache? Madgaon Express left me with a bellyache – but in the best way possible. The buddy comedy made me laugh so hard for so long that it felt like I was avenging all the years of laughing at unintentionally funny films. It’s been a while. Maybe it says something about the emotionally fraught times we live in. Maybe a dam of pent-up smirks in me burst. Maybe this is what the doctor ordered. But it’s more likely that I’m overthinking this reaction: Maybe Madgaon Express is just very successful at tapping a sense of humour that some of us are too shy to reveal. An “accident prone” signpost accidentally reads “accident porn”. A group of Goan gangsters succumb to a post-lunch susegad, leaving their hostages to escape. A don named Mendoza is addressed as everything but his name: Mandakini, Mangola, Madeline. Like Uday Chopra in the Dhoom films, a needy bachelor imagines a musical life montage with the first pretty girl he sees. A coked-up Gujarati dude goes from docile to daring as if it were his superhero alter-ego. A casual chat collapses into the lyrics of an Aashiqui 2 (2013) hit (“sunn raha hai tu?” – “ro raha hu main”). It’s all so gloriously silly – and undeniably nostalgic.<br/>Madgaon Express revolves around three friends on that (un)holy pilgrimage for 80s-born desi males: A Goa trip. Their failed attempts after high school and college make the dream burn brighter. So in 2015, as full-blown but unfulfilled adults, they make the better-late-than-never dash – except Goa is nothing like the movies, and yet it’s everything like the movies. Given Madgaon Express comes from Excel Entertainment, it’s easy to describe it as a middle-class spoof of Dil Chahta Hai (2001) and Zindagi Na Milegi Dobara (2011). The inverted hat tips are everywhere, starting with the DCH title track transitioning from a car stereo to a hospital soundscape. Or the fact that the narrator is the ‘loser’ of the trifecta, Dhanush a.k.a Dodo (Divyenndu), who remains tragically stuck in the past. Unlike the other two, he hasn’t been able to move on, and so he’s spent his years photoshopping a fake life on Facebook – including a ‘by-chance pic’ with Farhan Akhtar and then Anurag Kashyap – with a shot of Kashyap’s reaction “abey, tu hai kaun?” (who the hell are you?) in the comments section. <br/><br/>To hide his jobless living-with-dad reality, Dodo fools the New York-based Ayush (Avinash Tiwary) and Cape Town-based Pratik (Pratik Gandhi) into doing Goa “the way we would’ve done it as college kids – penniless and free-spirited”.
⏲ 2:22:23 👁 40K
Yuvraj Films
⏲ 5 minutes 24 seconds 👁 2.6M
RDC Gujarati
⏲ 5 minutes 17 seconds 👁 11.4K
Ekta Sound
⏲ 1 hour 39 seconds 👁 1.4M
Ekta Sound
⏲ 8 minutes 1 second 👁 393K
Studio Sangeeta
⏲ 1 hour 4 minutes 2 seconds 👁 1.1M
Worldwide Records Gujarati
⏲ 6 minutes 24 seconds 👁 81.3K
Ekta Comedy Than
⏲ 27 minutes 11 seconds 👁 977
Yuvraj Films
⏲ 5 minutes 44 seconds 👁 1.8M
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