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poems by sylvia plath Videos
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The Disquieting Muses: An Evening of Poetry Inspired by de Chirico
⏲ 40 min 90 sec ✓ 19-Apr-2018
Ellyn Maybe - Sylvia Plath
⏲ 2 min 98 sec ✓ 15-Oct-2010
soft fists insist at ADA Studios
⏲ 8 min 32 sec ✓ 12-Dec-2017
Sylvia Plath - Fever 103° (1962)
⏲ 2 min 9 sec ✓ 03-Dec-2019
A SECRET ARCHIPELAGO | Immersive Audio Book Installation
⏲ 1 min 17 sec ✓ 23-Jan-2020
MEDUSE : The Ghosts of Sylvia Plath
⏲ 37 sec ✓ 08-Apr-2019
Chris Girard - Lady Applicant Audio Video Photo Installation
⏲ 1 min 6 sec ✓ 20-May-2010
Poems wirhout A Country
⏲ 1 min 81 sec ✓ 05-Feb-2012
In the Shadow of the Elm
⏲ 1 min 76 sec ✓ 31-Jul-2012
soft fists insist at Chouftouhonna
⏲ 10 min 20 sec ✓ 22-Sep-2018
soft fists insist at Lake Studios
⏲ 8 min 47 sec ✓ 29-Oct-2020
Candles
⏲ 98 sec ✓ 22-May-2012
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_poems-wirhout-a-country.jpg "I am a poet/writer. I fell in love with words and writing at an early age. However, my passion for poetry writing began in my early twenties. Some poets were more instrumental in this, what I call 'fatal' attraction, than others, particularly John Ashbery, William Blake, and Philip Larkin. Later I found Baudelaire and Rilke to add to my holy pantheon. I self published my first two collections of poetry in my early twenties (Only a few copies for myself and my closest friends and relatives). They")
_the-disquieting-muses-an-evening-of-poetry-inspired-by-de-chirico.webp "On April 10, 2017, in celebration of National Poetry Month, the Center for Italian Modern Art hosted a special evening of ekphrastic poetry* inspired by Giorgio de Chirico, subject of the exhibition then on view: Giorgio de Chirico - Giulio Paolini / Giulio Paolini - Giorgio de Chirico (October 16, 2016 - June 24, 2017). De Chirico’s painting Le Muse Inquietanti (The Disquieting Muses) of 1918, in particular — one of the masterpieces on view at CIMA — inspired works by both Sylvia Plath an")
_ellyn-maybe-sylvia-plath.webp "http://henhousestudios.com/nnVideo by: Nisey Jay and Riccardo Spinottinn")
_soft-fists-insist-at-ada-studios.webp "choreographed and performed by Nicola BullocknNB(D)nnDecember 2-3, 2017nNah Dran performancenADA StudiosnBerlin, DEnnMusicnSylvia Plath introducing and reading her poems")
_sylvia-plath-fever-103-1962.webp "Sylvia Plath may not have been the first GREAT female poet, but she was probably one of the last. She died by her own hand at a time poetry was still a major artistic force in the world. The Vietnam era would change all that, introducing a series of eras that would lead public interest farther away from poetry with each passing decade.nnFever 103° was written during a surge of creativity the poet was undergoing in the autumn of 1962 and early winter of 1963. The poem itself was largely conceive")
_a-secret-archipelago-124-immersive-audio-book-installation.webp "Info1-10pmnFormat: 5-channel-audionDuration: 35 minutes, loopednProduced for: Localize | Inseln | 2019-08-17 nnCREDITS:nnPremiered August 26, 2019nnConcept, research, transcription, execution, music, recording, surround sound design, exhibition design & production: XenoramannViolin: Katja BraunnnUilleann Pipes: Peter ReibschnnGuitar: Maki RootsnnSpokes(wo)men in unidentified order:nnSophie Braun, Giuli Piel, Achim Wannicke, Simon Berger, Charlotte Gröbel, Alexios Grammatikopoulos, Lea-Nor")
_meduse-the-ghosts-of-sylvia-plath.webp "Directed by Milos SofrenovicnDramaturgy by Milica Konstantnovic StanojevicnMusic by Vladimir KoracnMovement created in collaboration with the performers:nAndrea Gotovina, Luka Mihovilović, Sendi Bakotić, Maja Ožegović, Nika IvančićnnProduced by Istarsko Narodno Kazaliste, Pula, HrvatskannChoreodrama for 5 performersnn“I write because I have that voice in me that can not be still”n(Sylvia Plath)nnChoreodrama")
_chris-girard-lady-applicant-audio-video-photo-installation.webp "I collaged the poems Sylvia Plath read to the BBC in the early 1960s entitled Lady Lazarus and The Applicant to form a new hybrid poem entitled Lady/Applicant: The Lazarus.nnIn order to continue to chase down the author (whom is ungraspable), I went to her townhouse. I recorded all storefront and instructional signs within a five-block perimeter of 23 Fitzroy Road in London to record her ghostly presence by the constraint of where she lived. The constraint of where she lives and the collaging of")
_poems-wirhout-a-country.webp "I am a poet/writer. I fell in love with words and writing at an early age. However, my passion for poetry writing began in my early twenties. Some poets were more instrumental in this, what I call 'fatal' attraction, than others, particularly John Ashbery, William Blake, and Philip Larkin. Later I found Baudelaire and Rilke to add to my holy pantheon. I self published my first two collections of poetry in my early twenties (Only a few copies for myself and my closest friends and relatives). They")
_in-the-shadow-of-the-elm.webp "The creation of this video originated from an assignment which asked us to document the transition between two different light sources as well as to look at the changes between figure/ground relationships brought outthrough the use of an LCD screen rather than a viewfinder. nnI ran with this idea and was also deeply inspired by Sylvia Plath's poem, Elm which appears in her book, Ariel a collection of poems. nnThe song is Undertaker by Cocorosie. More of their music can be found here http://www")
_soft-fists-insist-at-chouftouhonna.webp "choreographed and performed by Nicola BullocknNB(D)nnSeptember 9, 2018nChouftouhonna International Feminist Art FestivalnTunis, Tunisianfilmed by Reem SabrannMusicnSylvia Plath introducing and reading her poems")
_soft-fists-insist-at-lake-studios.webp "choreographed and performed by Nicola BullocknNB(D)nnUnfinished Fridays #42nOctober 20, 2017nLake StudiosnBerlin, DEnnMusicnMandy KimmnSylvia Plath introducing and reading her poems")
_candles.webp "This is a stop motion I made for a project at UWE Bristol. In this project I was given a poet and a artist and then had to research the poet and chose one of their poems. My poet was Sylvia Plath and the poem I chose was called Candles. Next I had to relate this poem to the artist using their syle. My artist was John Baldessari and I intergrated his work by the way he uses coloured circles over peoples faces and I added this into the sceen with the old man being taken over with this coloured for")
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