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2 - The boss behind the scenes is my husband#shortdrama - Darkness Channel

The boss behind the scenes is my husband#shortdrama - Darkness Channel - Box Novelas

⏲ 11:49 👁 15K

If you had a choice between Change the past OR Future vision #strengthen #mrpeace #strengthening #ga from hat test past papers

If you had a choice between Change the past OR Future vision #strengthen #mrpeace #strengthening #ga

⏲ 0:8 👁 15K

Real Madrid vs Manchester City 6 x 5 Highlights - CRAZY COMEBACK

Real Madrid vs Manchester City 6 x 5 UCL 2024 Highlights - CRAZY COMEBACK

⏲ 9:0 👁 110K

Borussia Dortmund 4 x 2 Atletico Madrid All GoalsHighlightsUEFA Champions League 2024

Borussia Dortmund 4 x 2 Atletico Madrid All GoalsHighlightsUEFA Champions League 2024

⏲ 3:3 👁 75K

Long before June 1915, John Marshall Slaton had agonized over the proposed commutation of Leo Frank's sentence. He received more than 100,000 letters pleading for a commutation or pardon for Frank and Georgia, and national newspapers reminded him and the public of his power of forgiveness and his responsibility to wield it. Several governors and senators backed the motion to pardon Frank, but efforts were also made by leaders across the country. South-North resentment and animosity rekindled with such ferocity that newspapers across the country covered the development. Most people outside Georgia sympathized with Leo Frank and again attacked Georgia's anti-industrial, anti-Semitic sentiments, and police incompetence. After the Supreme Court denied Frank's motion in April 1915, his lawyers began lobbying for an administrative pardon. The most important information in the document is that the sitting governor of Georgia, John Marshall Slayton, was politically respected and was running for the United States Senate. Judge Morris argued that Slayton was a member of the law firm defending Frank, and that Slayton had been a name partner in the law firm of Rosser, Brandon, Slayton and Phillips since May 1913. The Cobb Democratic Executive Committee publicly asked Slayton to resign as governor or to assure the Georgians that they would not commute Frank's sentence, but Slayton also refused. Frank said he was to be hanged on June 22, 1915, and Slayton said he was to be succeeded by Nat Harris on June 26, 1915. Mr. Slayton could have granted a reservation and let Mr. Harris decide on the motion to reduce, but he and others felt that Mr. Harris would reject the motion. Slayton retired to his home on the outskirts of town and petitioned the Supreme Court for a ruling on the issue of mob influence in court. He studied other Court of Appeals' official rulings, trying to find a balance between Georgia's judicial integrity and mob rule. After visiting the pencil factory, Slayton concludes that Conley must have been lying when she claimed to have used the elevator to move Mary Phagan's body from the second floor to the basement. Clayton took the elevator himself and confirmed that he had indeed reached the bottom, and evidence of this had come to light. Slaton spent a lot of time and attention researching elevators. On June 20, 1915, John Slaton locked himself in the library all day, working on the Frank case. He listened to lawyers for Hugh Dorsey and Leo Frank and the Marietta delegation led by former Governor Joseph M. Brown. When he came out of the library, he said he ordered a commutation. His wife got up and waited for him, and when she came out he said he had made his decision.<br/><br/>He had taken the precaution of taking Leo Frank a minute past midnight from Fulton Tower to the train station, then taking the train to Macon and then driving to the Mirageville Prison Farm.<br/><br/>

The murder of little Mary Phagan - Vanessa Neubauer - Part 7 of 13

⏲ 1:30:24 👁 20K

⁣Alonzo Mann's testimony describes his experience when he appeared on the front page of the Atlanta Constitution in February 1978. He and his father noticed some inaccuracies in the article about Mary Phagan and felt it necessary to convey their opinion to the author. John Phagan Durham, son of Lizzie Mary Etta Phagan, went to Atlanta Constitutional Editor-in-Chief Sears and requested that the article be deleted. Mr. Sears replied that he could not stop the article, and that if the article offended the Phagans, he would apologize, and if it was factually wrong, he would correct it. John Phagan-Durham told Sears he would not make corrections because he was confident that the series had made the front page and corrections would not make it to the front page. The series renewed interest in the assassination of Little Mary Phagan and its aftermath. People wanted to know more about the trial and the lynching, and whether anyone from Phagan was involved in the lynching. Alonzo Mann became more eloquent about the incident. Bernard and the narrator had never heard of young Mary Phagan, but one night Bernard told them that a girl named after the narrator had been murdered. The narrator tells him what happened and why the Phagan family has remained silent. Bernard and the narrator drive to Marietta to visit Mary's grave. The cemetery was located in a wealthy area of the cemetery and had a marble headstone bearing her name and an inscription written by Tom Watson. The narrator quickly memorized the inscription and took a picture of Maria for scrapbooking. A middle-aged couple approached the narrator and asked if he knew where Little Mary Phagan's grave was. Her newspaper article rekindled interest in her, and the narrator was impressed by her relatives' refusal to seek public attention and their desire to remain anonymous. That year, 1978, was a year full of beginnings and innovations for the narrator, including when her father contacted a reporter to acknowledge her relationship with Mary for the first time. A few days after the accident, the narrator decides to check on the elderly woman who hit her car and see if she has filed insurance papers. As she opens the door, the narrator explains that it was she who was involved in the accident and is checking to see if she has filed her insurance papers. The narrator meets a woman who is blind and deaf and needs help filling out her form. She asked the narrator if they were related to Little Mary Phagan, and the narrator filled out her paperwork and read it through her magnifying glass. The woman then asked the narrator if she was related to Little Mary Phagan, to which she replied that the narrator was. Her wife then told the narrator about her life at the time and the changes she had undergone in her 92 years. The narrator had a great time and was invited to lunch with the lady. Her lady found the narrator listening to herself carefully, and the next day the narrator again received an invitation to lunch.<br/><br/>

The murder of little Mary Phagan - Vanessa Neubauer - Part 10 of 13

⏲ 37:43 👁 10K

BJP's Mukesh Dalal is set to win Surat's Lok Sabha seat uncontested after all rivals withdrew nominations. Congress's Nilesh Kumbhani's papers were rejected over signature discrepancies, prompting accusations of \

BJP's Mukesh Dalal Seals Victory in Surat Lok Sabha as Rivals Withdraw Nominations | Oneindia News

⏲ 5:23 👁 965K

Fadinard is going through the woods on his horse en route to his wedding. Unfortunately, his horse eats the straw hat of | dHNfOTdCVkJLUjJ6TFE

The Italian Straw Hat | show | 1941 | Official Trailer

⏲ 1:26 👁 535K

The Taylor family may have stuck together through thick and thin over eight seasons and more than 200 episodes of \

Is Tim Allen Avoiding Zachery Ty Bryan Amidst 'Home Improvement' Co-Star's Legal Troubles? What He's Said In The Past

⏲ 1:43 👁 115K

Tonbo! Episode 4 English Dubbed<br/><br/><br/>https://anime-hub-series.blogspot.com/

Tonbo! Episode 4 English Dubbed

⏲ 24:13 👁 30K

The artist swiftly arranged delicate decorative papers with a palette of soft pastels and charming vintage prints.<br/><br/>The background set the scene with whimsical teacups and dainty macarons that evoked the essence of a Parisian bakery.<br/><br/>As the artist's hands glided gracefully across the table, stickers of croissants, cupcakes, and eclairs came alive on the page.<br/><br/>The atmosphere was serene, with gentle tapping sounds as each element was carefully placed, creating a symphony of visual treats.<br/><br/>This patisserie-themed masterpiece captured the essence of indulgence and sophistication.<br/>Location: Iasi, Romania<br/>WooGlobe Ref : WGA216734<br/>For licensing and to use this video, please email licensing@wooglobe.com

Artist transforms a journal's pages into a sweet treat with patisserie themes

⏲ 0:35 👁 30K

Letra Rogerio S. de Oliveira <br/>Música criada pela IA <br/>3007 RS <br/>2024<br/>Contribuição:<br/>PIX: rogervdso@gmail.com<br/> <br/>From The Ashes Of The Past<br/><br/>With tomorrow's strength, I take to the skies.<br/>Walking towards a dawn, anew, I embrace the horizon's vibrant hue.<br/>From pain's dark depths, I emerge,<br/>With firm resolve, my spirit surge.<br/><br/>Each challenge met, a chance to grow,<br/>In my heart, resilience aglow.<br/>From the ashes of old, I ascend,<br/><br/>With tomorrow's power, my journey extend.<br/>With every fall, I gather might,<br/>Scars are tales of my inner fight.<br/>On transformation's path, <br/>I tread, Discovering rebirth within, instead.<br/><br/>Beauty in struggle,<br/>I now see,<br/>Strength in embracing my history.<br/>From the ashes, I rise once more,<br/>With tomorrow's vigor, I explore.<br/><br/>Let winds of change blow, let them roar,<br/>For in hope's light, I find what's in store.<br/><br/>Reborn, like a phoenix, I soar,<br/>Transformed, reinvented, I implore.<br/><br/>With tomorrow's power, my journey extend.<br/>With every fall, I gather might,<br/>Scars are tales of my inner fight.<br/>On transformation's path, <br/>I tread, Discovering rebirth within, instead.<br/><br/>Beauty in struggle,<br/>I now see,<br/>Strength in embracing my history.<br/>From the ashes, I rise once more,<br/>With tomorrow's vigor, I explore.<br/><br/>Let winds of change blow, let them roar,<br/>For in hope's light, I find what's in store.<br/><br/>Reborn, like a phoenix, I soar,<br/>Transformed, reinvented, I implore.

From The Ashes Of The Past

⏲ 3:9 👁 30K

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