04 cradle to grave mp3 Videos

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Synopsis: A Manhattan family’s Christmas season turns topsy-turvy when 13-year-old Judy Graves mistakenly thinks her newly-arrived visiting uncle has just been released from prison.<br/>Genre: Comedy<br/>Director: George Seaton<br/>Top cast: Peggy Ann Garner, Stephen Dunne, Allyn Joslyn, Faye Marlowe, Mona Freeman, Sylvia Field, Barbara Whiting
⏲ 1:34:6 👁 20K
RedDome1995
⏲ 4 minutes 44 seconds 👁 688.5K
THuGxMakaveli
⏲ 6 minutes 21 seconds 👁 11.3K
Mary Phagan Keane's \
⏲ 18:44 👁 25K
Annette goes to France and whilst Soames persuades her to return they will lead separate lives. Fleur prevails upon Soames to get Irene to look favourably upon her union with Jon but Jon himself is now having second thoughts in view of the revelations he has been told. An angry Fleur accuses Irene of keeping Jon to herself when \
⏲ 53:26 👁 100K
The gates of hell open to let out the ghosts of the dead Chun Sing is visited by his deceased father, who tells the young man that his enemy is a priest who commands the dark forces of black magic. Luckily, Chun Sing gets help from a magic book, a group of friendly ghosts, and a house full of hookers.
⏲ 1:32:28 👁 45K
Fleur and Jon meet secretly and agree they will elope to Scotland where they can marry without parental permission. Jolyon comes to see Fleur, telling her of his weak heart and asking her to renounce Jon, whom he needs to be with him. Despite assurances to Jolyon, she does not tell Jon. Having received a letter exposing Annette's affair with Profond, Soames is pleased when Profond says he intends to leave England but at a cricket match between Eton and Harrow schools, Soames notes that his wife is in Profond's arms again. Michael Mont is at the match, having had Soames' permission to court Fleur but Fleur is still infatuated with Jon. After the match Jolyon and Irene tell Jon the history of their marriages and the reason they want to keep him apart from Fleur. Jolyon then dies of a heart attack and Jon does not turn up to elope with Fleur because he is at his father's funeral. Fleur eventually catches up with him and they are caught making love by a very angry June.<br/>Cast:<br/>Soames Forsyte, Damian Lewis<br/>Irene Forsyte (née Heron), Gina McKee<br/>Young Jolyon Forsyte, Rupert Graves<br/>Frances Forsyte (née Crisson), Sarah Winman<br/>June Forsyte, Gillian Kearney<br/>Philip Bosinney, Ioan Gruffudd<br/>Old Jolyon Forsyte, Corin Redgrave<br/>James Forsyte, John Carlisle<br/>Emily Forsyte, Barbara Flynn<br/>Aunt Ann Forsyte, Judy Campbell<br/>Aunt Hester Forsyte, Ann Bell<br/>Aunt Juley Small (née Forsyte), Wendy Craig<br/>Uncle Swithin Forsyte, Robert Lang<br/>Winifred Dartie (née Forsyte), Amanda Root<br/>Montague Dartie, Ben Miles<br/>Imogen Dartie, Alice Patten<br/>Valerius Dartie ('Val'), Julian Ovenden<br/>Hélène Forsyte, Amanda Ooms<br/>Holly Dartie (née Forsyte), Amanda Ryan<br/>Jolyon Forsyte ('Jolly'), Christian Coulson<br/>Annette Forsyte (née Lamotte), Beatriz Batarda<br/>Fleur Mont (née Forsyte), Emma Griffiths Malin<br/>Jon Forsyte, Lee Williams<br/>Michael Mont, Oliver Milburn<br/>George Forsyte, Alistair Petrie<br/>Prosper Profond, Michael Maloney<br/><br/>
⏲ 53:6 👁 95K
Archie Moore: kith and kin / Australian Pavilion at Venice Art Biennale 2024. April 19, 2024.<br/>Official description: First Nations peoples of Australia are some of the oldest continuous living cultures on Earth, and statistically one of the most incarcerated. Archie Moore’s kith and kin is both evidence and reminder of these facts. The sprawling chalk on blackboard mural traces his Kamilaroi and Bigambul relations back 65,000+ years, including the common ancestors of all humans. Handwritten across the walls and ceiling, the family tree engulfs the audience. The education materials refer to the transmission of knowledge and what is left out of history. Kamilaroi and Bigambul words in the drawing assert Indigenous language revival initiatives, while holes signal colonial invasions, massacres, diseases and displacement that sever familial ties. The central reflection pool is also a void; a memorial to First Nations deaths in state custody attended by piles of coroners’ reports. Archie adds archival records referencing kin to demonstrate how colonial laws and government policies have long been imposed upon First Nations peoples. These bureaucratic papers documenting tragedies are cradled by the reflection of the family tree in the surrounding water. The artist uses his family history to make systemic issues uncomfortably tangible to audiences while providing a prescient reminder that we are all kin.
⏲ 2:2 👁 65K
⁣Alonzo Mann's testimony describes his experience when he appeared on the front page of the Atlanta Constitution in February 1978. He and his father noticed some inaccuracies in the article about Mary Phagan and felt it necessary to convey their opinion to the author. John Phagan Durham, son of Lizzie Mary Etta Phagan, went to Atlanta Constitutional Editor-in-Chief Sears and requested that the article be deleted. Mr. Sears replied that he could not stop the article, and that if the article offended the Phagans, he would apologize, and if it was factually wrong, he would correct it. John Phagan-Durham told Sears he would not make corrections because he was confident that the series had made the front page and corrections would not make it to the front page. The series renewed interest in the assassination of Little Mary Phagan and its aftermath. People wanted to know more about the trial and the lynching, and whether anyone from Phagan was involved in the lynching. Alonzo Mann became more eloquent about the incident. Bernard and the narrator had never heard of young Mary Phagan, but one night Bernard told them that a girl named after the narrator had been murdered. The narrator tells him what happened and why the Phagan family has remained silent. Bernard and the narrator drive to Marietta to visit Mary's grave. The cemetery was located in a wealthy area of ​​the cemetery and had a marble headstone bearing her name and an inscription written by Tom Watson. The narrator quickly memorized the inscription and took a picture of Maria for scrapbooking. A middle-aged couple approached the narrator and asked if he knew where Little Mary Phagan's grave was. Her newspaper article rekindled interest in her, and the narrator was impressed by her relatives' refusal to seek public attention and their desire to remain anonymous. That year, 1978, was a year full of beginnings and innovations for the narrator, including when her father contacted a reporter to acknowledge her relationship with Mary for the first time. A few days after the accident, the narrator decides to check on the elderly woman who hit her car and see if she has filed insurance papers. As she opens the door, the narrator explains that it was she who was involved in the accident and is checking to see if she has filed her insurance papers. The narrator meets a woman who is blind and deaf and needs help filling out her form. She asked the narrator if they were related to Little Mary Phagan, and the narrator filled out her paperwork and read it through her magnifying glass. The woman then asked the narrator if she was related to Little Mary Phagan, to which she replied that the narrator was. Her wife then told the narrator about her life at the time and the changes she had undergone in her 92 years. The narrator had a great time and was invited to lunch with the lady. Her lady found the narrator listening to herself carefully, and the next day the narrator again received an invitation to lunch.<br/><br/>
⏲ 37:43 👁 10K
Wickham is visited in jail by Colonel Fitzwilliam, who has his own reason for keeping quiet although he has an alibi for the murder as he was publicly seen in the company of one of his soldiers' widows. Elizabeth assures the staff that they have nothing to fear - whilst cancelling the ball - but is intrigued by fragments of a burned letter whose writer sought to meet Colonel Fitzwilliam in the woods. She tells Hardcastle she saw the woman believed to be the ghost in the woods but was certain she was mortal. Later she comes upon a grave in the woods and is told it belongs to the Darcy's great grandfather, a reckless gambler who almost lost Pemberley. Whilst Georgiana turns down Alveston's marriage proposal the young lawyer supports Darcy at the inquest, whose jury finds Wickham guilty of murder and sends him to the Assizes. Furthermore Elizabeth learns that Wickham has used a false name to have sex with serving girl Louisa Bidwell, who has borne his child.
⏲ 58:58 👁 15K
#PalestinianCivilDefence<br/>#Palestine<br/>#Gaza<br/>The White House says it wants “ans wers” from Israeli authorities after the discovery of mass graves at Gaza hospitals destroyed in Israeli sieges.<br/><br/>More than 300 bodies of people – allegedly killed and buried by Israeli forces at Nasser Hospital in Khan Younis – have so far been recovered. Other graves at al-Shifa Hospital in northern were also located.<br/><br/>“We want answers. We want to see this thoroughly and transparently investigated,” National Security Advisor Jake Sullivan told reporters Israeli army spokesman Major Nadav Shoshani said the graves at Nasser were “dug by Gazans a few months ago”.<br/><br/>Hospitals, which have protection under international law, have repeatedly come under Israeli bombardment during more than six months of war in Gaza.<br/><br/>Al Jazeera's Mike Hanna is in Washington, DC for the latest.<br/><br/>Subscribe to our channel #PalestinianCivilDefence #Palestine #Gaza #SouthernGaza #GazaMassGraves #KhanYounis #NasserMedicalComplex #GazaNasserHospital #GazaHospitals #GazaUnderAttack #GazaHumanitarianCrisis #Israel #IsraelHamasWar #GazaWar #IsraelWar #IsraelPalestineWar #IsraelGazaWar #IsraelWarCrimesInGaza #GazaBombardment #GazaRefugeeCamps #GazaGenocide
⏲ 3:26 👁 10K
Gaza’s civil defense called on the United Nations to open an international investigation into what it said are crimes committed by Israeli forces while in the Gaza Strip.
⏲ 2:58 👁 220K
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