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Trees In Winter: Recorded \
⏲ 24 min 13 sec ✓ 25-Feb-2012
Jason Isbell - \"Weathervanes\" & “Killers of The Flower Moon” | The Daily Show
⏲ 14 minutes 24 seconds 👁 110.6K
Jason Isbell — Live at House of Blues (Full Set)
⏲ 1 hour 45 minutes 49 seconds 👁 1.1M
IMPRINT (aka Dance Film)
⏲ 29 min 2 sec ✓ 02-Jul-2018
X-MEN 97 Episode 9 BREAKDOWN - Ending Explained + Every Marvel EASTER EGG You Missed!
⏲ 27 minutes 6 seconds 👁 135.3K
Why is \"Choppy\" Animation Better?
⏲ 7 minutes 31 seconds 👁 986K
Kamil
⏲ 86 sec ✓ 05-Apr-2015
24fps vs 30fps vs 60fps - What is THE Best Frame Rate for YouTube?(Part 1 5)
⏲ 1 minute 3 seconds 👁 23.4K
How many frames should you animate with?
⏲ 2 minutes 16 seconds 👁 33.2K
Babylone - U.S.A.
⏲ 1 min 69 sec ✓ 24-Mar-2016
Jason Isbell - \"24 Frames\" - Mountain Jam 2016
⏲ 3 minutes 25 seconds 👁 7.3K
WHY 120fps IS OVERUSED. FRAME RATE GUIDE: 60 120 180fps
⏲ 10 minutes 23 seconds 👁 633.7K
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_trees-in-winter-recorded-92.webp "Trees in Winter 2006 A Wind Driven New Media InstallationnnThe ImagennThe stark expressive form of a large leafless tree was filmed against a background of changeable stormy winter skies. The horizon line was positioned low down in the picture plane; in the background, low wooded hills recede into the distance and in the lower foreground a slope of dry, frost bleached, grasses. The scene is of life clinging to the damp warmth of the earth in the cold twilight of the northern winter. The wind cha")
_jason-isbell-9234weathervanes9234-amp-killers-of-the-flower-moon-124-the-daily-show.webp "The Daily Show")
_jason-isbell-live-at-house-of-blues-full-set.webp "Front Row Boston")
_imprint-aka-dance-film.webp "“Imprint” (Aka “Dance Film”) – a film by Clive Myer, Choreography John Chesworth. Original music score by Gavin Bryars.nBallet Rambert 1974. 45 mins. 16mm. Colour.nnTwenty-four dancers at twenty-four frames per second enclosed in a three dimensional film screen produce a cubist/structuralist film that challenges the proscenium arch with filmic sensibility.nnMomentum gathers, the dancers familiarize each other, passing the filming camera between them. As the number of dancers within the")
_x-men-97-episode-9-breakdown-ending-explained-every-marvel-easter-egg-you-missed.webp "ScreenCrush")
_why-is-9234choppy9234-animation-better.webp "Doodley")
_kamil.webp "Video–Drawing installation | HD video projection on a drawing | 52'' x 61'' inches nnDocumentation of a video projection onto a drawing. A single second of footage is broken down into 24 frames, each one of which is meticulously traced: the water constantly changing form across each frame. From these tracings, layered over each other into a single drawing in blue ink, translate, in a sense, the water into ink. Installed with the video, the water flows behind the ink, re-tracing the drawing.nnK")
_24fps-vs-30fps-vs-60fps-what-is-the-best-frame-rate-for-youtube-part-1-5.webp "The SAHD Studio")
_how-many-frames-should-you-animate-with.webp "Kuzillon")
_babylone-u-s-a.webp "Babylone - U.S.A.nCurated by Daniel S. PalmernSelected works from Pratt Institute's Fine Arts MFA Candidates.nOrganized by the Pratt Artists' League and the Fine Arts Department.nnFrench singer Colette Magny wrote “Babylone - U.S.A.” in 1972, but its subject is more relevant than ever. This powerful song embodies its tumultuous political moment, especially the widespread call for resistance against a totalitarian, fascist political regime. The architectural metaphor on which it is based –")
_jason-isbell-923424-frames9234-mountain-jam-2016.webp "Mountain Jam Festival")
_why-120fps-is-overused-frame-rate-guide-60-120-180fps.webp "Mark Bone")
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