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Heeramandi: The Diamond Bazaar is an Indian Hindi-language period drama television series created and directed by Sanjay Leela Bhansali. The series is about the lives of tawaifs at the red-light district of Heera Mandi in Lahore during the Indian independence movement against the British Raj. It stars Manisha Koirala, Sonakshi Sinha, Aditi Rao Hydari, Richa Chadha, Sanjeeda Sheikh and Sharmin Segal.<br/><br/>Principal photography took place from June 2022 to June 2023. The series was released on Netflix on 1 May 2024.
⏲ 46:51 👁 282.2M
Kritter Klub
⏲ 4 minutes 15 seconds 👁 493.4K
NTVUganda
⏲ 45 seconds 👁 474.2K
364 kilos, 4,35 mètres de long : cet alligator bat tous les records
⏲ 1:4 👁 213.4M
Phyopapa Vlogs
⏲ 6 minutes 4 seconds 👁 70.6K
Jeenie.Weenie
⏲ 48 seconds 👁 1.7M
微暗之火23 - Tender Light 2024 EP23 Full HD from breastfeeding girls cat
⏲ 46:41 👁 16.8M
Ever wondered how cats always stick their landing? Here’s the science behind it, however, please don’t try this at home with your furry pal.
⏲ 0:59 👁 9.2M
微暗之火21 - Tender Light 2024 EP21 Full HD from breastfeeding girls cat
⏲ 44:33 👁 24.2M
Director: Starr Nathan<br/>Director of Photography: Dane Brown<br/>Editor: Edward Schorer<br/>Senior Producer: Naomi Nishi<br/>Producer, On Set: Jeff Wallace<br/>Associate Producer: Lea Donenberg<br/>Assistant Camera: Mar Alfonso<br/>Audio: Brianna Simons<br/>Polaroids by Jacob Webster<br/>Assistant Editors: Ben Harowitz, Justin Symonds<br/>Post Production Coordinator: Ian Bryant<br/>Arts & Graphics Lead: Léa Kichler<br/>Supervising Editor: Erica DeLeo<br/>Post Production Supervisor: Alexa Deutsch<br/>Production Coordinators: Ava Kashar, Bailey Lica<br/>Production Manager: Natasha Soto-Albors<br/>Line Producer: Romeeka Powell<br/>Senior Director, Production Management: Jessica Schier<br/>Entertainment Director: Sergio Kletnoy<br/>Supervising Producer: Felicia Kelley<br/>Director of Content, Production: Rahel Gebreyes<br/>Senior Director, Programming: Linda Gittleson<br/>VP, Digital Video English: Thespena Guatieri<br/><br/>COSMO POST HOUSE<br/>Assistant Editor: Meaghan Rahamut<br/>Managing Partner: Yvette Cobarrubias<br/>Executive Producer: Idalia Deshon<br/>Executive Producer: Marie Mangahas<br/>Head of Production: Kacie Gomez<br/>Head of Production: Tina Evanow Wolske<br/>Producer: Edwina Lantigua<br/>Producer: Jesse Lehrhoff<br/><br/>Filmed on Location: The Mark Hotel, New York
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Opening up about how her dad is “doing really good” amid his health fight, Rumer Willis says her little girl Louetta “loves” going to see her dementia-battling granddad Bruce.
⏲ 1:55 👁 5.9M
‘Shaitaan’ movie review: R Madhavan makes the mean monster shine opposite Ajay Devgn in this horror show.<br/>Backed by a poignant premise and powerful performances, director Vikas Bahl generates some genuine moments in eerie situations but surprisingly shows a straight bat in the slog overs.<br/>The film is a remake of the Gujarati horror film Vash (2023). Janki Bodiwala reprises her role from the original here. Kabir (Ajay Devgn) and Jyoti (Jyotika), along with their teenage daughter Jahnvi (Janki Bodiwala), and son Dhruv (Anngad Raaj) drive away to their remote farmhouse to spend some quality time. Their tranquillity shatters when a stranger. Vanraj Kashyap (R Madhavan), enters their world. He somehow takes complete control of Jyoti’s will and makes her a slave of sorts. She harms herself, almost kills her brother, slaps her father and fights with her mother. All this is brought out in visceral detail. The viewer is spared nothing. Kabir and Jyoti try vainly to get Janhvi to listen to them but to no avail. Things keep escalating. Vanraj wants to take away Janhvi but he would only do so with their explicit permission. We learn that he’s an evil tantrik who wants to take over the world. And must sacrifice a bevy of girls to do so. He succeeds in luring Janhvi away and now it’s up to Kabir to save her and other girls from being killed.<br/><br/>The film starts with a disclaimer that the film isn’t propagating superstition and then proceeds to do so for the next two hours. Vanraj equates himself to God, claims he can control anyone if he deems fit and indulges in the sort of mumbo jumbo even street magicians will steer clear off. The climax scene, which showcases mass hypnotism, features young girls all eager to throw themselves in a pyre. There’s no backstory as to why he’s become this instrument of evil. He’s made to spout some nonsense about controlling the life of everyone in the world and we’re supposed to believe that.<br/><br/>Ajay Devgn played a laid-back man who uses his wits to save his family in the Drishyam franchise and kind of steps back into the Drishyam mould again in this film. He’s perfectly cast as the super caring dad who keeps a close watch on his children but gives them ample freedom at the same time. He brings out the helplessness and dedication of a loving father who would do it all to save his world from falling apart perfectly well and looks good in action scenes as well. Jyothika, seen in a Hindi film after aeons, is cast as a caring mother who fights like a wounded lioness when it comes to saving her daughter. Her reactions look totally genuine. She uses her body language and expressive eyes to convey a range of emotions. She shares a good rapport with Ajay Devgn. It’s good to see middle-aged stars being cast together and acting their age. It’s a step in the right direction indeed. Madhavan and Jyothikha have acted in romantic comedies like Dumm Dumm Dumm (2001) and Priyamaana Thozhi (2003) earlier and have a reunion of sorts in Shaitaan. But
⏲ 2:8:9 👁 12.5M
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