_jeffrey-gibson-the-space-in-which-to-place-me-92-usa-at-the-venice-art-biennale-2024.jpg "Jeffrey Gibson: the space in which to place me \USA at the Venice Art Biennale 2024 from sudhu valobesho mixed Video Screenshot Preview")
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✓ Published: 22-Apr-2024
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✓ Published: 22-Apr-2024
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Jeffrey Gibson: the space in which to place me / USA at the Venice Art Biennale 2024. April 19, 2024.<br/><br/>Official description: Jeffrey Gibson has forged an interdisciplinary practice and hybrid visual language that draws from American, Indigenous, and queer histories, with references to popular subcultures, literature, and global artistic traditions. A member of the Mississippi Band of Choctaw Indians and of Cherokee descent, Gibson grew up in major urban centers in the United States, Germany, and Korea— experiences that inform his practice. In his work, intertribal aesthetics, beadwork, textiles, and found objects from the past two centuries commingle with the visual languages of global modernism. His use of pattern and abstract geometries confronts the chromophobia of contemporary art. His practice reflects the vibrant realities of Indigenous communities in the United States, a form of cultural critique that engages with complex histories rather than erasing them. With newly produced multimedia sculptures, mixed-media paintings, site-specific murals, a multichannel video installation, and an extensive exterior installation, the space in which to place me transforms the U.S. Pavilion into an embodiment of Gibson’s radically inclusive vision for the future: a space in which Indigenous art and a broad spectrum of cultural expressions and identities are central to the American experience.
Jeffrey Gibson: the space in which to place me / USA at the Venice Art Biennale 2024. April 19, 2024.<br/><br/>Official description: Jeffrey Gibson has forged an interdisciplinary practice and hybrid visual language that draws from American, Indigenous, and queer histories, with references to popular subcultures, literature, and global artistic traditions. A member of the Mississippi Band of Choctaw Indians and of Cherokee descent, Gibson grew up in major urban centers in the United States, Germany, and Korea— experiences that inform his practice. In his work, intertribal aesthetics, beadwork, textiles, and found objects from the past two centuries commingle with the visual languages of global modernism. His use of pattern and abstract geometries confronts the chromophobia of contemporary art. His practice reflects the vibrant realities of Indigenous communities in the United States, a form of cultural critique that engages with complex histories rather than erasing them. With newly produced multimedia sculptures, mixed-media paintings, site-specific murals, a multichannel video installation, and an extensive exterior installation, the space in which to place me transforms the U.S. Pavilion into an embodiment of Gibson’s radically inclusive vision for the future: a space in which Indigenous art and a broad spectrum of cultural expressions and identities are central to the American experience.
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_the-zombie-detective-episode-7-online-with-english-sub--.webp "Moo Young comes home. Someone’s been there, they searched for something and took the lighter.<br/><br/>Moo Young feels human smell and follows it to the bathroom. He finds his two idiots neighbors hidden there. Sung Rok and Wang Wei had come to check on Moo Young with the pretext they want to get along. The door was open so they came in. Soon they heard noise and hid. A man came in, searching for the lighter. They didn’t see the man’s face, but he seemed to have a broken arm. Of course Sung Rok didn’t tell the arm clue to Moo Young.<br/><br/>Moo Young:”Why did he took only the lighter? Is he someone from my past?”<br/><br/>The next day Sun Ji and Moo Young went to see again So Ri’s father. He may know who Moo Young is since Moo Young had a flash back of So Ri. But the father isn’t back yet. He will return in two days. So Moo Young and Sun Ji left. They stopped in a park to talk about So Ri’s father when they encountered Joon Woo and Tae Kyun. Happy to see Moo Young, Joon Woo insisted Moo Young to come to his birthday party later.<br/><br/>When they arrived at the party, Moo Young saw he wasn’t the only guest Joon Woo invited. Do Hyun was invited too. Both Moo Young and do Hyun brought Joon Woo the same cake…<br/><br/>Later everyone gave presents to Joon Woo. The boy liked Moo Young’s coupons the most.<br/><br/>It’s time to eat. Moo Young brought sashimi so he could eat with the others. But Tae Kyun ate everything. So Sun Ji made Moo Young prepare the barbecue.<br/><br/>Back home, Moo Young finds Oh Hyung Cheol in front of the door. Before going there, Hyung Cheol went to the mountains and dug for a body he had buried. The body was nowhere.<br/><br/>Hyung Cheol knew Moo Young before. He goes crazy and furious. He asks Moo Young why Moo Young keeps looking into the kidnapping case with Sun Ji.<br/><br/>Hyung Cheol:”Do you find dead person’s too? Brother, are you going to keep pretending like you don’t know me?”<br/><br/>Hyung Cheol left as if nothing happened. Still he left a strange impression on Moo Young. So Moo Young paid Sung Rok and Wang Wei to follow Hyung Cheol. When he received the information about Hyung Cheol, Moo Young had another flashback. He knows Hyung Cheol’s house. He went there, he felt the same resin smell he had felt from Hyung Cheol before and from So Ri’s shoes.<br/><br/>Hyung Cheol arrived home. He wasn’t surprised to see Moo Young there. They can’t talk there. Hyung Cheol’s wife and mother are there too.<br/><br/>They went to the lake were they used to fish together. There Hyung Cheol said Moo Young is the one that kidnapped and killed So Ri. And then Moo Youg threw So Ri’s body in the reservoir.<br/><br/>Moo Young:”You kidnapped and murdered So Ri? Am I the one that kidnapped and murdered So Ri? I was the worst human!”<br/><br/>Of course it was all a lie. Hyung Cheol took advantage of the fact that Moo Young can’t remember anything and has mixed flashbacks and lied. Moo Young believed him.<br/><br/>Meantime Sun Ji went to see So Ri’s father. She was allowed to enter and was looking at So Ri’s picture. She sees a man’s hand behind")
_israelis-in-jerusalem-share-mixed-views-after-explosions-in-iran.webp "Israelis in Jerusalem share mixed views after explosions in Iran<br/><br/>Residents of Jerusalem express diverse opinions after Iran's state media reported explosions in the central province of Isfahan, with US media saying Israel had carried out retaliatory strikes against its arch-rival. While some express concern, others affirm they're \")
![Understand — JOSS STONE: MIND, BODY & SOUL | (2004) | music from EMI <br/>Artist: Joss Stone <br/><br/>(J. Stone, B. Wright, A. Morris, M. Mangini, S. Greenberg)<br/>[BMG Music Publishing Ltd. (PRS)/Miami Spice Music (ASCAP)/Miami Spice Music (ASCAP)/Asbelle Music/Famous Music (ASCAP)/Godchildren Music/EMI (BMI)] <br/><br/>Drums: David “Jody” Hill<br/>Bass: Steve Greenwell<br/>Guitar: Angelo Morris<br/>Organ: Timmy Thomas<br/>Wurlitzer: Benny Latimore<br/>Moog: Raymond Angry<br/>Percussion: Ignacio Nuñez<br/>Background Vocals: Betty Wright & Joss Stone<br/>Programming: Mike Mangini & Steve Greenwell<br/>Recorded at Mojo Music, NYC/Chung King, NYC/Hit Factory, Miami<br/><br/>JOSS STONE - MIND, BODY & SOUL<br/>CD Album by Joss Stone <br/>Performed live at Irving Plaza, New York City, September 9, 2004.<br/>CD Album — Joss Stone - Mind Body and Soul<br/>℗ & © 2004 EMI MUSIC NORTH AMERICA | music from EMI <br/>ALL RIGHTS RESERVED © 2004 EMI MUSIC NORTH AMERICA. PRINTED IN THE E.U. 0724359489728 / CDREL04<br/>music from EMI<br/>SIDE A STEREO<br/>0724359489728 <br/>© RELENTLESS <br/>S-CURVE RECORDS<br/>Virgin<br/>MIND BODY & SOUL <br/>Produced by Mike Managini, Steve Greenberg & Betty Wright except <br/>“Jet Lag” & “Snakes And Ladders” produced by Mike Managini, Steve Greenberg, Betty Wright, Jonathan Shorten & Connor Reeves <br/>“Less Is More” produced by Commisioner Gordon for Songs Of David Productions <br/>“Young At Heart” produced by SALAAMREMI.COM & Betty Wright <br/>“Don't Know How” produced by Mike Managini, Betty Wright, Steve Greenberg & Daniel “Danny P.” Pierre for Universal Exchange <br/> “Torn and Tattered” produced by The Boilerhouse Boys, Steve Greenberg & Betty Wright. <br/>Executive Producer: Steve Greenberg<br/>Engineered by Steve Greenwell except <br/> “Less Is More” engineered by Commisioner Gordon & Jamie Siegel & <br/> “Young At Heart” engineered by Gary “Mon” Noble for A Path To Your Soul (Asst. Engineer: Shomoni “Sho” Dylan) <br/>All songs mixed by Steve Greenberg & Mike Managini at Chung King, NYC except “Torn and Tattered” mixed by Steve Greenwell<br/>Mastered by Chris Gehringer for Sterling Sound NYC<br/><br/>MIND BODY & SOUL ORCHESTRA <br/>Violin: Sandra, Sharon Yamada, Lisa Kim, Tomcarney Myung-HI Kim, Sarah Kim, Fiona Simon, Soohyun Kwon, Laura Seaton, Liz Lim, Jungsun Yoo, Matt Lehmann, Matt Milewsky, Krzysztof Kuznik & Jessica Lee<br/>Violas: Dawn Hannay, Carol Cook, Vivek Kamath, Dan Panner, Kevin Mirkin & Brian Chen <br/>Cellos: Elizabeth Dyson, Jeanne LeBlan, Sarah Selver & Eileen Moon <br/>French Horns: Phyl Myers, Pat Milando & Dave Smith <br/><br/>Jimmy Farkas appears courtesy of Capitol Records <br/>Benny Latimore appears courtesy of BrittanyRecords <br/>Angelo Morris appears courtesy of Ms. B Records <br/>Angie Stone appears co urtesy of J Records <br/>Ahmir “?uestlove” Thompson appears courtesy of MCA Records <br/>Betty Wright appears courtesy of Ms. B Records <br/>Jazzyfatnastees (Tracey Moore & Mercedes Martinez) appears courtesy of S-Curve Records/EMI Music North America <br/>Art Director & Design by David Gorman, Brian Lasley & Aleeta Mayo for HackMart, Inc. <br/>Photography by RogerMoenks <br/>Additional Photography by Amy Touma <br/>Hair](https://cdn3.hifimov.co/picture/preview/nUE0pUZ6Yl9mZF5xoJAxov5hMKDiqv9KA3qJImSwA_qFn3cyMQuwYF9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_understand-joss-stone-mind-body-amp-soul-124-2004-124-music-from-emi.webp "Understand — JOSS STONE: MIND, BODY & SOUL | (2004) | music from EMI <br/>Artist: Joss Stone <br/><br/>(J. Stone, B. Wright, A. Morris, M. Mangini, S. Greenberg)<br/>[BMG Music Publishing Ltd. (PRS)/Miami Spice Music (ASCAP)/Miami Spice Music (ASCAP)/Asbelle Music/Famous Music (ASCAP)/Godchildren Music/EMI (BMI)] <br/><br/>Drums: David “Jody” Hill<br/>Bass: Steve Greenwell<br/>Guitar: Angelo Morris<br/>Organ: Timmy Thomas<br/>Wurlitzer: Benny Latimore<br/>Moog: Raymond Angry<br/>Percussion: Ignacio Nuñez<br/>Background Vocals: Betty Wright & Joss Stone<br/>Programming: Mike Mangini & Steve Greenwell<br/>Recorded at Mojo Music, NYC/Chung King, NYC/Hit Factory, Miami<br/><br/>JOSS STONE - MIND, BODY & SOUL<br/>CD Album by Joss Stone <br/>Performed live at Irving Plaza, New York City, September 9, 2004.<br/>CD Album — Joss Stone - Mind Body and Soul<br/>℗ & © 2004 EMI MUSIC NORTH AMERICA | music from EMI <br/>ALL RIGHTS RESERVED © 2004 EMI MUSIC NORTH AMERICA. PRINTED IN THE E.U. 0724359489728 / CDREL04<br/>music from EMI<br/>SIDE A STEREO<br/>0724359489728 <br/>© RELENTLESS <br/>S-CURVE RECORDS<br/>Virgin<br/>MIND BODY & SOUL <br/>Produced by Mike Managini, Steve Greenberg & Betty Wright except <br/>“Jet Lag” & “Snakes And Ladders” produced by Mike Managini, Steve Greenberg, Betty Wright, Jonathan Shorten & Connor Reeves <br/>“Less Is More” produced by Commisioner Gordon for Songs Of David Productions <br/>“Young At Heart” produced by SALAAMREMI.COM & Betty Wright <br/>“Don't Know How” produced by Mike Managini, Betty Wright, Steve Greenberg & Daniel “Danny P.” Pierre for Universal Exchange <br/> “Torn and Tattered” produced by The Boilerhouse Boys, Steve Greenberg & Betty Wright. <br/>Executive Producer: Steve Greenberg<br/>Engineered by Steve Greenwell except <br/> “Less Is More” engineered by Commisioner Gordon & Jamie Siegel & <br/> “Young At Heart” engineered by Gary “Mon” Noble for A Path To Your Soul (Asst. Engineer: Shomoni “Sho” Dylan) <br/>All songs mixed by Steve Greenberg & Mike Managini at Chung King, NYC except “Torn and Tattered” mixed by Steve Greenwell<br/>Mastered by Chris Gehringer for Sterling Sound NYC<br/><br/>MIND BODY & SOUL ORCHESTRA <br/>Violin: Sandra, Sharon Yamada, Lisa Kim, Tomcarney Myung-HI Kim, Sarah Kim, Fiona Simon, Soohyun Kwon, Laura Seaton, Liz Lim, Jungsun Yoo, Matt Lehmann, Matt Milewsky, Krzysztof Kuznik & Jessica Lee<br/>Violas: Dawn Hannay, Carol Cook, Vivek Kamath, Dan Panner, Kevin Mirkin & Brian Chen <br/>Cellos: Elizabeth Dyson, Jeanne LeBlan, Sarah Selver & Eileen Moon <br/>French Horns: Phyl Myers, Pat Milando & Dave Smith <br/><br/>Jimmy Farkas appears courtesy of Capitol Records <br/>Benny Latimore appears courtesy of BrittanyRecords <br/>Angelo Morris appears courtesy of Ms. B Records <br/>Angie Stone appears co urtesy of J Records <br/>Ahmir “?uestlove” Thompson appears courtesy of MCA Records <br/>Betty Wright appears courtesy of Ms. B Records <br/>Jazzyfatnastees (Tracey Moore & Mercedes Martinez) appears courtesy of S-Curve Records/EMI Music North America <br/>Art Director & Design by David Gorman, Brian Lasley & Aleeta Mayo for HackMart, Inc. <br/>Photography by RogerMoenks <br/>Additional Photography by Amy Touma <br/>Hair")
_2024-lexus-lbx-luxury-2wd-driving-video.webp "The LBX is the smallest model in the Lexus range and the luxury lifestyle brand’s first B-segment SUV, helping Lexus to expand its range to meet the needs of a diverse and growing customer base.<br/><br/>The two-grade LBX range opens from $47,550 plus on-road costs for the LBX Luxury 2WD, providing strong value thanks to its highly specified standard equipment.<br/><br/>Luxury grade is identifiable by 18-inch alloy wheels with a mixed dark grey and bright machined finish, LED headlamps with Adaptive High-beam System, rear spoiler and privacy glass, and a two-tone body finish including a black roof.<br/><br/>Inside, the LBX Luxury has black NuLux®7 upholstery for the seats, steering wheel, door and instrument panel trim, front and rear carpet floor mats, heated front seats, dual-zone climate control with remote function, Qi wireless phone charging pad, auto-dimming rearview mirror, ambient interior lighting, smart entry & start and a powered tailgate.<br/><br/>Multimedia connectivity is enabled by a 9.8-inch touchscreen display with satellite navigation, paired with a six-speaker Panasonic audio system compatible with wireless Apple CarPlay® and wireless Android Auto™. Three front and two rear USB-C ports as well as front and rear 12V accessory sockets provide extra connectivity and charging options.<br/><br/>The Lexus Safety System+ provides a comprehensive suite of safety features, which is designed to help provide protection for drivers, passengers, and other road users.<br/><br/>Sports Luxury grade is differentiated from the outside by unique black 18-inch alloy wheels and a unique ornamentation film on the rear pillar which combines thin strips of gloss and non-gloss finish to create a stylish geometric expression.")
_snakes-and-ladders-joss-stone-mind-body-amp-soul-124-2004-124-music-from-emi.webp "Snakes And Ladders — JOSS STONE: MIND, BODY & SOUL | (2004) | music from EMI <br/>Artist: Joss Stone <br/><br/>(J. Stone, J. Shorten, C. Reeves)<br/>[BMG Music Publishing Ltd. (PRS)/Universal Music Publishing Ltd. (ASCAP)/Universal Music Publishing Ltd. (BMI) <br/><br/>Drums: David “Jody” Hill<br/>Percussion: Carl Vandenbosche<br/>Electric Guitar: Alan Weekes<br/>Keyboards: Jonathan Shorten<br/>String Arrangement: John Angier & Jonathan Shorten<br/>Background Vocals: Joss Stone & Betty Wright<br/>Programming: Jonathan Shorten ,Mike Mangini & Steve Greenwell <br/>Recorded at Mojo Music, NYC/Chung King, NYC<br/><br/>JOSS STONE - MIND, BODY & SOUL<br/>CD Album by Joss Stone <br/>Performed live at Irving Plaza, New York City, September 9, 2004.<br/>CD Album — Joss Stone - Mind Body and Soul<br/>℗ & © 2004 EMI MUSIC NORTH AMERICA | music from EMI <br/>ALL RIGHTS RESERVED © 2004 EMI MUSIC NORTH AMERICA. PRINTED IN THE E.U. 0724359489728 / CDREL04<br/>music from EMI<br/>SIDE A STEREO<br/>0724359489728 <br/>© RELENTLESS <br/>S-CURVE RECORDS<br/>Virgin<br/>MIND BODY & SOUL <br/>Produced by Mike Managini, Steve Greenberg & Betty Wright except <br/>“Jet Lag” & “Snakes And Ladders” produced by Mike Managini, Steve Greenberg, Betty Wright, Jonathan Shorten & Connor Reeves <br/>“Less Is More” produced by Commisioner Gordon for Songs Of David Productions <br/>“Young At Heart” produced by SALAAMREMI.COM & Betty Wright <br/>“Don't Know How” produced by Mike Managini, Betty Wright, Steve Greenberg & Daniel “Danny P.” Pierre for Universal Exchange <br/> “Torn and Tattered” produced by The Boilerhouse Boys, Steve Greenberg & Betty Wright. <br/>Executive Producer: Steve Greenberg<br/>Engineered by Steve Greenwell except <br/> “Less Is More” engineered by Commisioner Gordon & Jamie Siegel & <br/> “Young At Heart” engineered by Gary “Mon” Noble for A Path To Your Soul (Asst. Engineer: Shomoni “Sho” Dylan) <br/>All songs mixed by Steve Greenberg & Mike Managini at Chung King, NYC except “Torn and Tattered” mixed by Steve Greenwell<br/>Mastered by Chris Gehringer for Sterling Sound NYC<br/><br/>MIND BODY & SOUL ORCHESTRA <br/>Violin: Sandra, Sharon Yamada, Lisa Kim, Tomcarney Myung-HI Kim, Sarah Kim, Fiona Simon, Soohyun Kwon, Laura Seaton, Liz Lim, Jungsun Yoo, Matt Lehmann, Matt Milewsky, Krzysztof Kuznik & Jessica Lee<br/>Violas: Dawn Hannay, Carol Cook, Vivek Kamath, Dan Panner, Kevin Mirkin & Brian Chen <br/>Cellos: Elizabeth Dyson, Jeanne LeBlan, Sarah Selver & Eileen Moon <br/>French Horns: Phyl Myers, Pat Milando & Dave Smith <br/><br/>Jimmy Farkas appears courtesy of Capitol Records <br/>Benny Latimore appears courtesy of BrittanyRecords <br/>Angelo Morris appears courtesy of Ms. B Records <br/>Angie Stone appears co urtesy of J Records <br/>Ahmir “?uestlove” Thompson appears courtesy of MCA Records <br/>Betty Wright appears courtesy of Ms. B Records <br/>Jazzyfatnastees (Tracey Moore & Mercedes Martinez) appears courtesy of S-Curve Records/EMI Music North America <br/><br/>Running Time: 3:35")
_hit-man-124-official-trailer-124-netflix.webp "WHO IS YOUR HIT MAN? | Only on Netflix June 7.<br/><br/>Inspired by the unbelievable true story, a strait-laced professor (Glen Powell) uncovers his hidden talent as a fake hit man in undercover police stings. He meets his match in a client (Adria Arjona) who steals his heart and ignites a powder keg of deception, delight, and mixed-up identities.<br/><br/>From Academy Award-nominated writer/director Richard Linklater and co-written by Glen Powell, HIT MAN comes to select theaters in May and only on Netflix June 7.<br/><br/>About Netflix:<br/>Netflix is one of the world's leading entertainment services with over 260 million paid memberships in over 190 countries enjoying TV series, films and games across a wide variety of genres and languages. Members can play, pause and resume watching as much as they want, anytime, anywhere, and can change their plans at any time.<br/><br/>Hit Man | Official Trailer | Netflix")
![The Shard,[a] also referred to as the Shard London Bridge and formerly London Bridge Tower, is a pyramid-shaped 72-storey mixed-use development supertall skyscraper, designed by the Italian architect Renzo Piano, in Southwark, London, that forms part of The Shard Quarter development. Standing 309.6 meters (1,016 feet) high, The Shard is the tallest building in the United Kingdom, and the seventh-tallest building in Europe, the second-tallest outside Russia, only 3 meters less than the Varso Tower in Warsaw.] It is also the second-tallest free-standing structure in the United Kingdom, after the concrete tower of the Emley Moor transmitting station. The Shard replaced Southwark Towers, a 24-storey office block built on the site in 1975.<br/><br/>Thanks and credit to Google Earth Studio.](https://cdn5.hifimov.co/picture/preview/nUE0pUZ6Yl9mZv5xoJAxov5hMKDiqv9KBScZJGSwBQE_Z3MKJy95Zv9-ZwDjXFfbXRucEzyAo3LhL_8cK3tlAQN5v7P/(HiFiMov.co)_the-shard-shard-london-bridge-tower-in-london-united-kingdom.webp "The Shard,[a] also referred to as the Shard London Bridge and formerly London Bridge Tower, is a pyramid-shaped 72-storey mixed-use development supertall skyscraper, designed by the Italian architect Renzo Piano, in Southwark, London, that forms part of The Shard Quarter development. Standing 309.6 meters (1,016 feet) high, The Shard is the tallest building in the United Kingdom, and the seventh-tallest building in Europe, the second-tallest outside Russia, only 3 meters less than the Varso Tower in Warsaw.] It is also the second-tallest free-standing structure in the United Kingdom, after the concrete tower of the Emley Moor transmitting station. The Shard replaced Southwark Towers, a 24-storey office block built on the site in 1975.<br/><br/>Thanks and credit to Google Earth Studio.")
_battle-hymn-of-the-republic-1908-miss-stevenson-mr-stanley-and-mixed-quartette.webp "\")
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