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Dongfeng's all-new large 6-seat SUV on par with the Ideal L7 is launched with two powertrains<br/><br/>The first model of Dongfeng Yipai series, eπ007, was officially released in March. The new car is positioned as a medium and large SUV. The size is the same as the Ideal L7. The new car will be officially introduced at the opening of the Beijing Auto Show at the end of this month.<br/><br/>The overall appearance of the new car is very simple and elegant, the body lines are simple and smooth, and some details have a good sense of sophistication.<br/><br/>The general shape of the front face is quite striking. The headlights have piercing shapes. The visual effect is also very elegant. He pointed out that the latest automobile logo also has a light source that can be lit.<br/><br/>The general lines of the side of the car body have a very solid style, and the tail has a vertical front shape that looks very large. Looking at the details, the D pillar is quite wide and thick, and there is a unique-looking decorative strip at the top that runs through the rear side windows and rear window. The waistline is quite simple and capable, the upper parts of the wheel arches use a very three-dimensional rib shape, and the door handles have a pop-up design. In terms of size, the length, width and height of this Yipai eπ008 are 5002/1972/1732 mm respectively, and the wheelbase is 3025 mm.<br/><br/>The overall shape of the Rear Part is very heavy, the shape of the taillight reflects the headlights, and the internal light source structure is very unique. The rear bumper has an all-over black trim strip in the middle, and the subframe is painted in the same color as the body.<br/><br/>There are cup holders and a mobile phone wireless charging panel at the front of the table, which has an instrument panel and a large central control screen, and a hollow storage area at the bottom. Has a good sense of class.<br/><br/>The new car will be powered by a fully electric and plug-in extended-range hybrid. The pure electric version will be equipped with an engine with a maximum power of 200 kilowatts and a cruising range of 636 km. The plug-in extended-range hybrid model is equipped with a 1.5T extended-range motor with a maximum power of 108 kilowatts, a maximum motor power of 200 kilowatts and a pure electric range of 154km.<br/><br/>Source: https://www.pcauto.com.cn/hj/article/2452039.html#ad=20420
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Coinciding with the Venice Art Biennale 2024, Roman Road presents a solo exhibition curated by Marisa Bellani dedicated to the artist Channatip Chanvipava. Titled “The Sound of Many Waters”, the show features eight new works that explore the notions of fixed identities, belonging and subjective memory. The exhibition is on view at Dimora ai Santi, Calle Larga Giacinto Gallina, Canneregio 6381, 30121, Venezia, and runs until May 27, 2024.<br/><br/>Channatip Chanvipava: The Sound of Many Waters. Venice (Italy), April 16, 2024.<br/><br/>Press text (excerpt):<br/><br/>Aligning with this year's Biennale theme 'Foreigners Everywhere’, Bellani turns to water as a powerful reference to address the concepts of queer identity and connection in a divided world. These are vibrantly expressed in Chanvipava’s work which navigates queer sensibilities with immense power and emotion. Water, in this instance, becomes a symbol of both connection and division, resonating with the complexities of queer identity.<br/><br/>Based in London, Channatip Chanvipava is a self-taught painter who embarked on his artistic journey after a degree in Economics, driven by an enduring passion for art cultivated since a young age. His unique style, marked by distinctive and bold brushstrokes inspired by the impressionists, seamlessly oscillates between abstraction and figuration. Notably, Chanvipava's compositions are characterized by layered, thick, and vibrant paint textures distinguished by vertical lines outlining forms. His organic and meditative artistic process relies on intuition and fragments of memory, pieced together to create a ‘tapestry’ of recollections. He navigates through colour as a vehicle to express form, bringing to light moments of reflection, contemplation and liberation. Without employing preliminary sketches or physical references, he paints directly on canvas and relies solely on memory and his acute understanding of space and depth.
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